{"id":9400,"date":"2019-08-29T12:09:54","date_gmt":"2019-08-29T12:09:54","guid":{"rendered":"https:\/\/tiyana.net\/?p=9400"},"modified":"2023-11-07T17:51:18","modified_gmt":"2023-11-07T16:51:18","slug":"fotografisanje-ljudi","status":"publish","type":"post","link":"https:\/\/tiyana.net\/sr\/fotografisanje-ljudi\/","title":{"rendered":"Fotografisanje ljudi"},"content":{"rendered":"\n

Fotografisanje ljudi – portreta i cele figure, mo\u017ee da donese razli\u010dite izazove. Uglavnom razlikujem dva pristupa – fotografisanje profesionalnih modela za kampanje sa jedne, i fotografisanje portreta za privatne potrebe sa druge strane. Reklamne kampanje su zanimljive jer je fokus na konceptu, ideji kampanje i organizacija je naj\u010de\u0161\u0107e isplanirana detaljno – od \u0161minkera, stiliste do scenorgrafije. Sa druge strane, privatni portret, porodi\u010dne i individualne fotografije su spontanije i nikada ne znam sa sigurno\u0161\u0107u kakav \u0107e biti rezultat.<\/p>\n\n\n\n

Zato je poseban izazov fotografisati modela koji se time ne bavi profesionalno i kada je bud\u017eet za sve ostalo minimalan ili nepostoje\u0107i. Uvek imam posebnu tremu kada me anga\u017euju ljudi koji \u017eele fotografije za svoju privatnu kolekciju. Ovde bih se osvrnula na nekoliko „pravila“ kojih se dr\u017eim kako bi snimanje bilo uspe\u0161no, a do kojih sam do\u0161la uzimaju\u0107i u obzir svoje dosada\u0161nje iskustvo.<\/p>\n\n\n\n

Pravila koja praktikujem, mada sigurno ima jo\u0161 kojih se nisam setila kada sam pisala ovaj tekst:<\/h4>\n\n\n\n\n\n
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Upoznati modela<\/h3><\/div>
\n

Po\u0161to me ve\u0107ina klijenata prona\u0111e putem gugl pretrage, \u010desto tra\u017eim da unapred sednem na kafu ili provedem pola sata-sat sa modelom pre snimanja. Poprili\u010dno je \u010dudno ako je model stegnut, neopu\u0161ten, stidljiv, nepoverljiv. A to se naro\u010dito de\u0161ava kada mi tra\u017ee akt. Da, to mi \u010desto tra\u017ee u Srbiji, ali te fotografije ne delim na sajtu iz prostog razloga za\u0161tite privatnosti. \u010cak su mi i ti folderi na hardiskovima \u0161ifrovani. Tako je isto i sa fotografijama maloletne dece.<\/p>\n<\/div><\/div>\n\n\n\n

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Pripremiti se unapred<\/h3><\/div>
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Uvek treba pitati modela \u0161ta je njena\/njegova zamisao. \u010cesto tra\u017eim primer sa interneta – nekakav stil, viziju, ideju, ne\u0161to \u0161to mo\u017ee da me usmeri ka senzibilitetu osobe koja naru\u010duje fotografije.<\/p>\n<\/div><\/div>\n\n\n\n

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Optimizovati vreme snimanja<\/h3><\/div>
\n

Treba biti brz. Niko, a naro\u010dito onaj koji to ne radi profesionalno, ne \u017eeli da satima stoji u neudobnoj pozi. Onome ko nije profesionalni model naro\u010dito se o\u010ditava ose\u0107anje na izrazu lica, usled nedostatka iskustva, ili treme, a nekad jednostavno nisu svesni da se na licu vidi dosada, nevoljnost, zbunjenost, ushi\u0107enost i \u010ditav dijapazon ose\u0107anja.<\/p>\n<\/div><\/div>\n\n\n\n

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\u041aomunikacija<\/h3><\/div>
\n

Pri\u010dajte. Pri\u010da opu\u0161ta modela. Nekad dok vam odgovara ili razmi\u0161lja o odgovoru, mogu se uhvatiti najbolji momenti. Obja\u0161njavajte modelu kako funkcioni\u0161e svetlo u studiju. Ne mislim na detaljne opise zakona fizike i kvantnih \u010destica, nego jednostavno, koji reflektor je glavni i kako svetlo „pada“ na njega. Profesionalni modeli to ve\u0107 znaju, a oni koji su prvi put u studiju, ne razumeju da su se okrenuli suprotno reflektoru i da ta poza baca senku na lice – na primer.<\/p>\n<\/div><\/div>\n\n\n\n

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Vi\u0161e od dogovora<\/h3><\/div>
\n

Kakav god da je dogovor izme\u0111u modela i mene, uvek praktikujem da podelim \u0161to vi\u0161e fotografija mogu. Nekada ranije mi je bilo \u017eao \u0161to \u010ditave arhive fotografija ostanu neiskori\u0161\u0107ene, jer kad ih jednom stavim na eksterni hard disk, zaboravim na njih. I onda kada prelistam nakon nekoliko godina, bude mi \u017eao \u0161to nisam jo\u0161 koju fotografiju iskoristila. To je naravno zbog kratkih rokova, ili prosto u tom momentu nisam smatrala da ta fotografija odgovara temi, ali se vremenom estetika menja i kasnije mi se neka fotogafija koja mi nije posebnu pa\u017enju privukla u\u010dini genijalnom. Zato uvek dajem vi\u0161e fotografija od dogovorenog broja, koliko mi vreme to dozvoljava. Uostalom, u procesu snimanja model u\u010destvuje jednako koliko i mi i to je na neki na\u010din nagrada za njegov trud.<\/p>\n<\/div><\/div>\n\n\n\n

<\/path><\/path><\/svg><\/span>

Drugo snimanje<\/h3><\/div>
\n

\u0422\u043e \u0458\u0435 za mene uvek genijalno snimanje. Prvi put kada poziraju, ljudi su nesigurni u sebe, pa \u010dak i da su samouvereni, usled nedostatka iskustva, ne umeju da se postave lepo. I kada kasnije pogledaju fotografije, odjednom „sve shvate“. Zato ja zovem drugo snimanje magi\u010dnim. Jednostavno, to je momenat kada zaista modeli do\u0111u opu\u0161teni i sa jasnom idejom.\u00a0 Ovo je mo\u017eda, moj savet da ne treba mnogo o\u010dekivati od prvog snimanja. Iako ceo ovaj tekst istra\u017euje kako da dovedemo do maksimuma kvalitet prvog snimanja.<\/p>\n<\/div><\/div>\n<\/div>\n\n\n\n

<\/div>\n\n\n\n

Narednih nekoliko fotografija su sa jednog od skora\u0161njih snimanja. Iako su anga\u017emani za pravna lica mo\u017eda unosniji, ova mala galerija je tu samo kao primer i podse\u0107anje da zaista volim da radim za pojedince, nekad \u010dak i vi\u0161e nego za korporacije. To je mo\u017eda zbog slobode, li\u010dnog izraza, nepredvidivosti, spontanosti, a na kraju i zbog ose\u0107aja postignu\u0107a. Ameri\u010dki fotograf Harvey je rekao „Ne fotografi\u0161i kako vidi\u0161, ve\u0107 kako ose\u0107a\u0161“. Upravo u tome je li\u010dna sloboda fotografa, subjektivni ugao i senzibilitet koji, kada se poklopi sa modelom, daje fenomenalne rezultate.<\/p>\n\n\n\n

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\"Hazy<\/figure>\n<\/div>\n\n\n
<\/div>\n\n\n\n
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\"Hazy\"Portrait<\/div>\n<\/div>\n\n\n\n
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\"Girl\"Girl<\/div>\n<\/div>\n<\/div>\n\n\n\n
<\/div>\n","protected":false},"excerpt":{"rendered":"

Fotografisanje ljudi – portreta i cele figure, mo\u017ee da donese razli\u010dite izazove. Uglavnom razlikujem dva pristupa – fotografisanje profesionalnih modela za kampanje sa jedne, i fotografisanje portreta za privatne potrebe sa druge strane. Reklamne kampanje su zanimljive jer je fokus na konceptu, ideji kampanje i organizacija je naj\u010de\u0161\u0107e isplanirana detaljno – od \u0161minkera, stiliste do […]<\/p>\n","protected":false},"author":2,"featured_media":9354,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[104,58],"tags":[81,101,82],"class_list":["post-9400","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-angazmani","category-random-sr","tag-angazmani","tag-inspiracija","tag-utisci"],"acf":[],"yoast_head":"\nFotografisanje ljudi - Profesionalni fotograf Beograd, Srbija<\/title>\n<meta name=\"description\" content=\"Fotografisanje ljudi koji nisu profesionalni modeli je \u010desto nepredvidivo, ali ukoliko se dr\u017eite nekoliko pravila rezultati mogu biti fenomenalni.\" \/>\n<meta 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